“Charlie’s Angels” is the reboot you never knew you needed in your life. As writer, director, producer and co-star, Elizabeth Banks has achieved a tricky (if somewhat inconsistent) balance between reveling in the playful, escapist fun of the original 1970s TV detective series and asserting a wholly necessary and modern feminist vision. Her movie is brisk and knowingly silly, but it also slows down occasionally to allow her characters to connect and interact as strong, loyal women looking out for each other. My review, at RogerEbert.com.
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